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Cheesy creampie young adult p2p Prelude to a postpartum breakdown, this album serves as a somewhat pivotal exploration, and aside from track two, the remainder shows the band’s continued progress; by the time of the third album, there is clearly an elevated level of maturity, and whilst there’s a weight to the music that both makes and takes away from the album, it is the album where the band’s definitive sound is created. There is a blander quality to the music overall, which perhaps works better in a live setting, but it does feel as though the band were attempting to mould this album into their own vision, and having ended up in the wrong place, they have altered their direction in subsequent releases. The album is instrumental and relatively simple in composition, with James and Neville featuring a paucity of instrumentation over a relatively simple backtrack, until the closing track where the album has a slight change in pace, with the rhythm section being replaced with ambient effects, and the band shifting into a more traditional approach, and having gone down a different route, the band returns to it and delivers a track that is a highlight of the album. Having such a varied style, it is almost a little bit of a shame that the album doesn’t focus much of its time to really stand out; instead, a great deal of the album can be understood as a set of different ideas, and whilst the album has some potential to progress in different directions, it never really gets there, and whilst the album is uneven in quality, it has some striking moments that will be familiar to anyone who has heard a Guardian album. James Spheeris and his band Of Montreal released a debut album a little under a year ago, titled ‘Hello My Lover’, which also features Mike Scheidt. This is the first time that the two bands have collaborated, and the first album to be released by Of Montreal since 2003, when the band’s second release was issued on Carpark Records, ‘The Un-funny Valentine’, and it seems as though James and Mike have produced a strong album; if the album is anything to go by, then Of Montreal have made a return to form, with a sound that is firmly rooted in the new album’s influences. The album begins and ends with the same song, which plays on the simplicity of the band’s composition and the simplistic nature of the track itself,




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